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Orion and Winter Triangle In a moonlit winter night of Hungary, stars of constellations Orion, Canis Major (the Great Dog), and Canis Minor (Little Dog) appear above an ancient castle ruins in Veszprém county. Three brighter stars of this part of the sky forms a large asterism known as the Winter Triangle. — Tamás Ladányi
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Camera
Canon EOS 5D Mark II
ISO
3200 		Aperture
f/3.2
Exposure
5" 		Focal Length
22mm

Orion and Winter Triangle

In a moonlit winter night of Hungary, stars of constellations Orion, Canis Major (the Great Dog), and Canis Minor (Little Dog) appear above an ancient castle ruins in Veszprém county.

Three brighter stars of this part of the sky forms a large asterism known as the Winter Triangle. — Tamás Ladányi

(Source: ikenbot)

freemindfreebody: Kirsty Mitchell’s late mother Maureen was an English teacher who spent her life inspiring generations of children with imaginative stories and plays. Following Maureen’s death from a brain tumour in 2008, Kirsty channelled her grief into her passion for photography. She retreated behind the lens of her camera and created Wonderland, an ethereal fantasy world. The photographic series began as a small summer project but grew into an inspirational creative journey. ‘Real life became a difficult place to deal with, and I found myself retreating further into an alternative existence through the portal of my camera,’ said the artist. (read the rest here).
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freemindfreebody: Kirsty Mitchell’s late mother Maureen was an English teacher who spent her life inspiring generations of children with imaginative stories and plays. Following Maureen’s death from a brain tumour in 2008, Kirsty channelled her grief into her passion for photography. She retreated behind the lens of her camera and created Wonderland, an ethereal fantasy world. The photographic series began as a small summer project but grew into an inspirational creative journey. ‘Real life became a difficult place to deal with, and I found myself retreating further into an alternative existence through the portal of my camera,’ said the artist. (read the rest here).
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freemindfreebody: Kirsty Mitchell’s late mother Maureen was an English teacher who spent her life inspiring generations of children with imaginative stories and plays. Following Maureen’s death from a brain tumour in 2008, Kirsty channelled her grief into her passion for photography. She retreated behind the lens of her camera and created Wonderland, an ethereal fantasy world. The photographic series began as a small summer project but grew into an inspirational creative journey. ‘Real life became a difficult place to deal with, and I found myself retreating further into an alternative existence through the portal of my camera,’ said the artist. (read the rest here).
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freemindfreebody: Kirsty Mitchell’s late mother Maureen was an English teacher who spent her life inspiring generations of children with imaginative stories and plays. Following Maureen’s death from a brain tumour in 2008, Kirsty channelled her grief into her passion for photography. She retreated behind the lens of her camera and created Wonderland, an ethereal fantasy world. The photographic series began as a small summer project but grew into an inspirational creative journey. ‘Real life became a difficult place to deal with, and I found myself retreating further into an alternative existence through the portal of my camera,’ said the artist. (read the rest here).
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freemindfreebody: Kirsty Mitchell’s late mother Maureen was an English teacher who spent her life inspiring generations of children with imaginative stories and plays. Following Maureen’s death from a brain tumour in 2008, Kirsty channelled her grief into her passion for photography. She retreated behind the lens of her camera and created Wonderland, an ethereal fantasy world. The photographic series began as a small summer project but grew into an inspirational creative journey. ‘Real life became a difficult place to deal with, and I found myself retreating further into an alternative existence through the portal of my camera,’ said the artist. (read the rest here).
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freemindfreebody: Kirsty Mitchell’s late mother Maureen was an English teacher who spent her life inspiring generations of children with imaginative stories and plays. Following Maureen’s death from a brain tumour in 2008, Kirsty channelled her grief into her passion for photography. She retreated behind the lens of her camera and created Wonderland, an ethereal fantasy world. The photographic series began as a small summer project but grew into an inspirational creative journey. ‘Real life became a difficult place to deal with, and I found myself retreating further into an alternative existence through the portal of my camera,’ said the artist. (read the rest here).
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freemindfreebody: Kirsty Mitchell’s late mother Maureen was an English teacher who spent her life inspiring generations of children with imaginative stories and plays. Following Maureen’s death from a brain tumour in 2008, Kirsty channelled her grief into her passion for photography. She retreated behind the lens of her camera and created Wonderland, an ethereal fantasy world. The photographic series began as a small summer project but grew into an inspirational creative journey. ‘Real life became a difficult place to deal with, and I found myself retreating further into an alternative existence through the portal of my camera,’ said the artist. (read the rest here).
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freemindfreebody: Kirsty Mitchell’s late mother Maureen was an English teacher who spent her life inspiring generations of children with imaginative stories and plays. Following Maureen’s death from a brain tumour in 2008, Kirsty channelled her grief into her passion for photography. She retreated behind the lens of her camera and created Wonderland, an ethereal fantasy world. The photographic series began as a small summer project but grew into an inspirational creative journey. ‘Real life became a difficult place to deal with, and I found myself retreating further into an alternative existence through the portal of my camera,’ said the artist. (read the rest here).
Zoom
freemindfreebody: Kirsty Mitchell’s late mother Maureen was an English teacher who spent her life inspiring generations of children with imaginative stories and plays. Following Maureen’s death from a brain tumour in 2008, Kirsty channelled her grief into her passion for photography. She retreated behind the lens of her camera and created Wonderland, an ethereal fantasy world. The photographic series began as a small summer project but grew into an inspirational creative journey. ‘Real life became a difficult place to deal with, and I found myself retreating further into an alternative existence through the portal of my camera,’ said the artist. (read the rest here).
Zoom

freemindfreebody:

Kirsty Mitchell’s late mother Maureen was an English teacher who spent her life inspiring generations of children with imaginative stories and plays. Following Maureen’s death from a brain tumour in 2008, Kirsty channelled her grief into her passion for photography.

She retreated behind the lens of her camera and created Wonderland, an ethereal fantasy world. The photographic series began as a small summer project but grew into an inspirational creative journey.

‘Real life became a difficult place to deal with, and I found myself retreating further into an alternative existence through the portal of my camera,’ said the artist. (read the rest here).

son-pereda: odditiesoflife: Yokai - Japanese Monsters In the Edo period of sophisticated popular culture (1603-1868), much attention was devoted to Japan’s rich variety of traditional monsters and apparitions, known as yokai. The above yokai are from a work titled Hyakkai Zukan in 1737 by Sawaki Suushi, a relatively unknown artist who studied under master painter Hanabusa Itcho (1702-1772). Hyakkai Zukan’s colorful depictions of Japan’s most notorious creatures inspired and copied by yokai artists for generations. Ushi-oni (“cow devil”) is a malevolent sea monster with the head of a bull and the body of a giant spider or crab. It is most often encountered in the coastal waters where it is feared for its vicious attacks on fishermen. Mikoshi-nyudo is a large, cross-eyed mendicant encountered on mountain passes or on lonely roads at night. He grows taller when you look up at him — and the higher you look, the taller he grows. Look up for too long and you will die, but say “mikoshita” (“I see higher”) and he disappears. Ouni is a mountain hag with a mouth stretching from ear to ear and a thick coat of long, black hair covering her entire body. She can place raw hemp fiber into her mouth and pull out finished yarn. Nure-onna (“wet woman”) is a fast-swimming amphibious creature with the head of a human female and the body of a gigantic snake. She carries a small child, which she uses to attract potential victims. When a well-intentioned person offers to hold the baby, the child attaches itself to the victim’s hands and grows heavy, making it nearly impossible to flee. She uses her long, powerful tongue to suck all the blood from her victim’s body. Uwan is a disembodied voice that inhabits old, abandoned temples and homes. When a person enters a haunted building, the formless spirit belts out an ear-piercing “Uwan!” (hence the name). Kami-kiri (“hair-cutter”) are ghostly spirits known for sneaking up on people and cutting all their hair off when they are unknowingly engaged to marry another yokai posing as a human. These hair-cutting attacks are intended to delay or prevent weddings between humans and otherworldly beings, which are typically doomed to failure. 『百怪図巻』 佐脇嵩之 1.うし鬼 Ushi-Oni, 2.見越入道 Mikoshi-Nyudo, 3.わうわう Wow-wow (苧うに Ouni), 4.濡れ女 Nure-Onna, 5.うわん Uwan, 6.髪切り Kami-kiri.
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son-pereda: odditiesoflife: Yokai - Japanese Monsters In the Edo period of sophisticated popular culture (1603-1868), much attention was devoted to Japan’s rich variety of traditional monsters and apparitions, known as yokai. The above yokai are from a work titled Hyakkai Zukan in 1737 by Sawaki Suushi, a relatively unknown artist who studied under master painter Hanabusa Itcho (1702-1772). Hyakkai Zukan’s colorful depictions of Japan’s most notorious creatures inspired and copied by yokai artists for generations. Ushi-oni (“cow devil”) is a malevolent sea monster with the head of a bull and the body of a giant spider or crab. It is most often encountered in the coastal waters where it is feared for its vicious attacks on fishermen. Mikoshi-nyudo is a large, cross-eyed mendicant encountered on mountain passes or on lonely roads at night. He grows taller when you look up at him — and the higher you look, the taller he grows. Look up for too long and you will die, but say “mikoshita” (“I see higher”) and he disappears. Ouni is a mountain hag with a mouth stretching from ear to ear and a thick coat of long, black hair covering her entire body. She can place raw hemp fiber into her mouth and pull out finished yarn. Nure-onna (“wet woman”) is a fast-swimming amphibious creature with the head of a human female and the body of a gigantic snake. She carries a small child, which she uses to attract potential victims. When a well-intentioned person offers to hold the baby, the child attaches itself to the victim’s hands and grows heavy, making it nearly impossible to flee. She uses her long, powerful tongue to suck all the blood from her victim’s body. Uwan is a disembodied voice that inhabits old, abandoned temples and homes. When a person enters a haunted building, the formless spirit belts out an ear-piercing “Uwan!” (hence the name). Kami-kiri (“hair-cutter”) are ghostly spirits known for sneaking up on people and cutting all their hair off when they are unknowingly engaged to marry another yokai posing as a human. These hair-cutting attacks are intended to delay or prevent weddings between humans and otherworldly beings, which are typically doomed to failure. 『百怪図巻』 佐脇嵩之 1.うし鬼 Ushi-Oni, 2.見越入道 Mikoshi-Nyudo, 3.わうわう Wow-wow (苧うに Ouni), 4.濡れ女 Nure-Onna, 5.うわん Uwan, 6.髪切り Kami-kiri.
Zoom
son-pereda: odditiesoflife: Yokai - Japanese Monsters In the Edo period of sophisticated popular culture (1603-1868), much attention was devoted to Japan’s rich variety of traditional monsters and apparitions, known as yokai. The above yokai are from a work titled Hyakkai Zukan in 1737 by Sawaki Suushi, a relatively unknown artist who studied under master painter Hanabusa Itcho (1702-1772). Hyakkai Zukan’s colorful depictions of Japan’s most notorious creatures inspired and copied by yokai artists for generations. Ushi-oni (“cow devil”) is a malevolent sea monster with the head of a bull and the body of a giant spider or crab. It is most often encountered in the coastal waters where it is feared for its vicious attacks on fishermen. Mikoshi-nyudo is a large, cross-eyed mendicant encountered on mountain passes or on lonely roads at night. He grows taller when you look up at him — and the higher you look, the taller he grows. Look up for too long and you will die, but say “mikoshita” (“I see higher”) and he disappears. Ouni is a mountain hag with a mouth stretching from ear to ear and a thick coat of long, black hair covering her entire body. She can place raw hemp fiber into her mouth and pull out finished yarn. Nure-onna (“wet woman”) is a fast-swimming amphibious creature with the head of a human female and the body of a gigantic snake. She carries a small child, which she uses to attract potential victims. When a well-intentioned person offers to hold the baby, the child attaches itself to the victim’s hands and grows heavy, making it nearly impossible to flee. She uses her long, powerful tongue to suck all the blood from her victim’s body. Uwan is a disembodied voice that inhabits old, abandoned temples and homes. When a person enters a haunted building, the formless spirit belts out an ear-piercing “Uwan!” (hence the name). Kami-kiri (“hair-cutter”) are ghostly spirits known for sneaking up on people and cutting all their hair off when they are unknowingly engaged to marry another yokai posing as a human. These hair-cutting attacks are intended to delay or prevent weddings between humans and otherworldly beings, which are typically doomed to failure. 『百怪図巻』 佐脇嵩之 1.うし鬼 Ushi-Oni, 2.見越入道 Mikoshi-Nyudo, 3.わうわう Wow-wow (苧うに Ouni), 4.濡れ女 Nure-Onna, 5.うわん Uwan, 6.髪切り Kami-kiri.
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son-pereda: odditiesoflife: Yokai - Japanese Monsters In the Edo period of sophisticated popular culture (1603-1868), much attention was devoted to Japan’s rich variety of traditional monsters and apparitions, known as yokai. The above yokai are from a work titled Hyakkai Zukan in 1737 by Sawaki Suushi, a relatively unknown artist who studied under master painter Hanabusa Itcho (1702-1772). Hyakkai Zukan’s colorful depictions of Japan’s most notorious creatures inspired and copied by yokai artists for generations. Ushi-oni (“cow devil”) is a malevolent sea monster with the head of a bull and the body of a giant spider or crab. It is most often encountered in the coastal waters where it is feared for its vicious attacks on fishermen. Mikoshi-nyudo is a large, cross-eyed mendicant encountered on mountain passes or on lonely roads at night. He grows taller when you look up at him — and the higher you look, the taller he grows. Look up for too long and you will die, but say “mikoshita” (“I see higher”) and he disappears. Ouni is a mountain hag with a mouth stretching from ear to ear and a thick coat of long, black hair covering her entire body. She can place raw hemp fiber into her mouth and pull out finished yarn. Nure-onna (“wet woman”) is a fast-swimming amphibious creature with the head of a human female and the body of a gigantic snake. She carries a small child, which she uses to attract potential victims. When a well-intentioned person offers to hold the baby, the child attaches itself to the victim’s hands and grows heavy, making it nearly impossible to flee. She uses her long, powerful tongue to suck all the blood from her victim’s body. Uwan is a disembodied voice that inhabits old, abandoned temples and homes. When a person enters a haunted building, the formless spirit belts out an ear-piercing “Uwan!” (hence the name). Kami-kiri (“hair-cutter”) are ghostly spirits known for sneaking up on people and cutting all their hair off when they are unknowingly engaged to marry another yokai posing as a human. These hair-cutting attacks are intended to delay or prevent weddings between humans and otherworldly beings, which are typically doomed to failure. 『百怪図巻』 佐脇嵩之 1.うし鬼 Ushi-Oni, 2.見越入道 Mikoshi-Nyudo, 3.わうわう Wow-wow (苧うに Ouni), 4.濡れ女 Nure-Onna, 5.うわん Uwan, 6.髪切り Kami-kiri.
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son-pereda: odditiesoflife: Yokai - Japanese Monsters In the Edo period of sophisticated popular culture (1603-1868), much attention was devoted to Japan’s rich variety of traditional monsters and apparitions, known as yokai. The above yokai are from a work titled Hyakkai Zukan in 1737 by Sawaki Suushi, a relatively unknown artist who studied under master painter Hanabusa Itcho (1702-1772). Hyakkai Zukan’s colorful depictions of Japan’s most notorious creatures inspired and copied by yokai artists for generations. Ushi-oni (“cow devil”) is a malevolent sea monster with the head of a bull and the body of a giant spider or crab. It is most often encountered in the coastal waters where it is feared for its vicious attacks on fishermen. Mikoshi-nyudo is a large, cross-eyed mendicant encountered on mountain passes or on lonely roads at night. He grows taller when you look up at him — and the higher you look, the taller he grows. Look up for too long and you will die, but say “mikoshita” (“I see higher”) and he disappears. Ouni is a mountain hag with a mouth stretching from ear to ear and a thick coat of long, black hair covering her entire body. She can place raw hemp fiber into her mouth and pull out finished yarn. Nure-onna (“wet woman”) is a fast-swimming amphibious creature with the head of a human female and the body of a gigantic snake. She carries a small child, which she uses to attract potential victims. When a well-intentioned person offers to hold the baby, the child attaches itself to the victim’s hands and grows heavy, making it nearly impossible to flee. She uses her long, powerful tongue to suck all the blood from her victim’s body. Uwan is a disembodied voice that inhabits old, abandoned temples and homes. When a person enters a haunted building, the formless spirit belts out an ear-piercing “Uwan!” (hence the name). Kami-kiri (“hair-cutter”) are ghostly spirits known for sneaking up on people and cutting all their hair off when they are unknowingly engaged to marry another yokai posing as a human. These hair-cutting attacks are intended to delay or prevent weddings between humans and otherworldly beings, which are typically doomed to failure. 『百怪図巻』 佐脇嵩之 1.うし鬼 Ushi-Oni, 2.見越入道 Mikoshi-Nyudo, 3.わうわう Wow-wow (苧うに Ouni), 4.濡れ女 Nure-Onna, 5.うわん Uwan, 6.髪切り Kami-kiri.
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son-pereda: odditiesoflife: Yokai - Japanese Monsters In the Edo period of sophisticated popular culture (1603-1868), much attention was devoted to Japan’s rich variety of traditional monsters and apparitions, known as yokai. The above yokai are from a work titled Hyakkai Zukan in 1737 by Sawaki Suushi, a relatively unknown artist who studied under master painter Hanabusa Itcho (1702-1772). Hyakkai Zukan’s colorful depictions of Japan’s most notorious creatures inspired and copied by yokai artists for generations. Ushi-oni (“cow devil”) is a malevolent sea monster with the head of a bull and the body of a giant spider or crab. It is most often encountered in the coastal waters where it is feared for its vicious attacks on fishermen. Mikoshi-nyudo is a large, cross-eyed mendicant encountered on mountain passes or on lonely roads at night. He grows taller when you look up at him — and the higher you look, the taller he grows. Look up for too long and you will die, but say “mikoshita” (“I see higher”) and he disappears. Ouni is a mountain hag with a mouth stretching from ear to ear and a thick coat of long, black hair covering her entire body. She can place raw hemp fiber into her mouth and pull out finished yarn. Nure-onna (“wet woman”) is a fast-swimming amphibious creature with the head of a human female and the body of a gigantic snake. She carries a small child, which she uses to attract potential victims. When a well-intentioned person offers to hold the baby, the child attaches itself to the victim’s hands and grows heavy, making it nearly impossible to flee. She uses her long, powerful tongue to suck all the blood from her victim’s body. Uwan is a disembodied voice that inhabits old, abandoned temples and homes. When a person enters a haunted building, the formless spirit belts out an ear-piercing “Uwan!” (hence the name). Kami-kiri (“hair-cutter”) are ghostly spirits known for sneaking up on people and cutting all their hair off when they are unknowingly engaged to marry another yokai posing as a human. These hair-cutting attacks are intended to delay or prevent weddings between humans and otherworldly beings, which are typically doomed to failure. 『百怪図巻』 佐脇嵩之 1.うし鬼 Ushi-Oni, 2.見越入道 Mikoshi-Nyudo, 3.わうわう Wow-wow (苧うに Ouni), 4.濡れ女 Nure-Onna, 5.うわん Uwan, 6.髪切り Kami-kiri.
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son-pereda:

odditiesoflife:

Yokai - Japanese Monsters

In the Edo period of sophisticated popular culture (1603-1868), much attention was devoted to Japan’s rich variety of traditional monsters and apparitions, known as yokai. The above yokai are from a work titled Hyakkai Zukan in 1737 by Sawaki Suushi, a relatively unknown artist who studied under master painter Hanabusa Itcho (1702-1772). Hyakkai Zukan’s colorful depictions of Japan’s most notorious creatures inspired and copied by yokai artists for generations.

  1. Ushi-oni (“cow devil”) is a malevolent sea monster with the head of a bull and the body of a giant spider or crab. It is most often encountered in the coastal waters where it is feared for its vicious attacks on fishermen.
  2. Mikoshi-nyudo is a large, cross-eyed mendicant encountered on mountain passes or on lonely roads at night. He grows taller when you look up at him — and the higher you look, the taller he grows. Look up for too long and you will die, but say “mikoshita” (“I see higher”) and he disappears.
  3. Ouni is a mountain hag with a mouth stretching from ear to ear and a thick coat of long, black hair covering her entire body. She can place raw hemp fiber into her mouth and pull out finished yarn.
  4. Nure-onna (“wet woman”) is a fast-swimming amphibious creature with the head of a human female and the body of a gigantic snake. She carries a small child, which she uses to attract potential victims. When a well-intentioned person offers to hold the baby, the child attaches itself to the victim’s hands and grows heavy, making it nearly impossible to flee. She uses her long, powerful tongue to suck all the blood from her victim’s body.
  5. Uwan is a disembodied voice that inhabits old, abandoned temples and homes. When a person enters a haunted building, the formless spirit belts out an ear-piercing “Uwan!” (hence the name).
  6. Kami-kiri (“hair-cutter”) are ghostly spirits known for sneaking up on people and cutting all their hair off when they are unknowingly engaged to marry another yokai posing as a human. These hair-cutting attacks are intended to delay or prevent weddings between humans and otherworldly beings, which are typically doomed to failure.

『百怪図巻』 佐脇嵩之

1.うし鬼 Ushi-Oni, 2.見越入道 Mikoshi-Nyudo, 3.わうわう Wow-wow (苧うに Ouni), 4.濡れ女 Nure-Onna, 5.うわん Uwan, 6.髪切り Kami-kiri.

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